Tan lejos de la patria

An exhibition displays the struggles and successes of Mexicans living in the UK

Part of the ‘Being Human’ festival, ‘Mexicans UK’ illustrates a mixed community of backgrounds both similar and distinct, of futures aimed and obscured. It explores concepts of blurred humanity and personal imagination among those Mexicans who came to the UK for work or study, for love or family.

It is a collaboration between the brother-sister act of Mexican-British photographers Roxana and Pablo Allison. It consists of 32 portraits: one person from all 31 Mexican states and also the federal district of Mexico City.

Here are some of the images that stood out for me:

Mariacarmen Cárdenas - (Pedro and Roxana Allison)

Mariacarmen Cárdenas (Mexico City) – Credit for this image and all photos below: Pablo and Roxana Allison

Mariacarmen Cárdenas told a sad tale. After coming to the UK with her British husband, the marriage broke down and she went through family and workplace battles. She painted a sorrowful picture of life in the UK but was adamant she would not be returning to Mexico. She seemed to be facing her situation defiantly; a position of quiet strength emphasised in the picture above by her gaze and the political memorabilia of indigenous struggle.


Karla Mancilla - (Credit: Pedro and Roxana Allison)

Karla Mancilla (State: Baja California Sur)

Originating from Baja California Sur, Karla Mancilla’s story struck me as the narrative of water: migration and movement. Waves swell with force and becalm with stillness; they could carry Karla back home, or bar her way. She is from a Pacific state back home and is sitting in the picture here next to a British watercourse. She talks in detail about the oceanic fauna of her state, the whale sharks, dolphins and sea lions. Ms Mancilla lists shredded manta ray as her favourite dish.


Willams Santis - (Credit: Pablo and Roxana Allison)

Willams Santis   (Chiapas)

Williams Santis came to the UK for family. He met an Irish girl in Mexico and had a baby with her, then moved from Mexico to be with them in the UK. He now works in a car park and as an artist. Here, leaning against an open caravan door, is he pondering the racism that he says he suffers in the UK? Or his proud indigenous roots? Maybe he is thinking about the Irish woman and his child. For Mr Santis, love knew no bounds.


Michelle Dominguez (Credit: Pablo and Roxana Allison)

Michelle Dominguez   (Chihuahua)

Troubling security and political instability are the main concerns for Michelle Dominguez, as she looks back to the land of her birth. I liked her pose here, caught between two rooms – two countries – casually hovering under one sky, one roof. She is leaning on the threshold against a pane of mottled glass, blurring the views back to where she has come from and blurring the future for those left behind.


Efrain Carpintero (Credit: Pablo and Roxana Allison)

Efrain Carpintero   (Querétaro)

The quietness, religiosity and burgeoning economic activity of Querétaro state are called to mind by Efrain Carpintero, who is in the UK researching for a PhD. I felt a positivity coming through this portrait, an academic ambition from a softly beautiful state.


Natalia Cervantes (Credit: Pablo and Roxana Allison)

Natalia Cervantes   (Sinaloa)

Layered in Nature, staring straight ahead, perhaps Natalia Cervantes is combining her thoughts: a wooded mix of the dusty plants from her home state of Sinaloa and the wet verdancy of her adopted country. This image caught my eye for its natural setting and the fact the woman is Sinaloan, from an edgy corner of the country, and here is painting a picture of the people and the food, tinged with bloody streets of drugs violence, set against the mountains, plains and coastline.

A arte dos africanos lusófonos

Uma vista e uma perspectiva de alguns dos artistas africanos lusófonos                      

Todos estes artistas tiveram as suas obras exibidas no 1:54 Contemporary African Art Fair em Londres. Foram 133 artistas diferentes na exibição, e dez dos artistas são dos dois nações maiores lusófonos do continente: Angola e Moçambique.

Edson Chagas – Angola – Fotografia (desconstruída, tempos atuais)

'Found Not Taken (London)' - 2014 - APALAZZOGALLERY

‘Found Not Taken (London)’ – 2014 – APALAZZOGALLERY

Adalberto Ferreira – Angola – Pintura e fotografia (urbanismo, costumes culturais)

'Pregnant Woman' - 2014 - Tamar Golan Gallery

‘Pregnant Woman’ – 2014 – Tamar Golan Gallery

Délio Jasse – Angola – Fotografia (imagens latentes)

'Pontus' - 2012 - Artist/Tiwani Contemporary

‘Pontus’ – 2012 – Artist/Tiwani Contemporary

Paulo Kapela – Angola – Pintura (‘o pai espiritual’)

'Untitled' - 2015 - Tamar Golan Gallery

‘Untitled’ – 2015 – Tamar Golan Gallery

Gonçalo Mabunda  Moçambique – Escultura (memória coletiva, a guerra civil)

'Untitled (Mask)' - 2013 - Jack Bell Gallery

‘Untitled (Mask)’ – 2013 – Jack Bell Gallery

Mário Macilau  Moçambique – Fotografia e pintura (grupos marginalizados)

Kamana Silva - 2014 - Ed Cross Fine Art

‘Kamana Silva’ – 2014 – Ed Cross Fine Art

Mauro Pinto – Moçambique – Fotografia (internacional, as cidades)

'ultimo testamente' - 2012 - Afronova

‘ultimo testamente’ – 2012 – Afronova

Joana Taya – Angola – Desenho gráfico e ilustração (identidade feminina)

'Endangered Beauty 02' - 2015 - Tamar Golan Gallery

‘Endangered Beauty 02’ – 2015 – Tamar Golan Gallery

Francisco Van-Dúnem  Angola – Pintura (meio ambiente, a vida cotidiana)

'Departure for the Contract' - 2015 - Tamar Golan Gallery

‘Departure for the Contract’ – 2015 – Tamar Golan Gallery

Francisco Vidal – Angola/Cabo Verde – Pintura (labor, dissidência política)

'Atlantis' - 2015 - Artist/Tiwani Contemporary

‘Atlantis’ – 2015 – Artist/Tiwani Contemporary