An exhibition displays the struggles and successes of Mexicans living in the UK
Part of the ‘Being Human’ festival, ‘Mexicans UK’ illustrates a mixed community of backgrounds both similar and distinct, of futures aimed and obscured. It explores concepts of blurred humanity and personal imagination among those Mexicans who came to the UK for work or study, for love or family.
It is a collaboration between the brother-sister act of Mexican-British photographers Roxana and Pablo Allison. It consists of 32 portraits: one person from all 31 Mexican states and also the federal district of Mexico City.
Here are some of the images that stood out for me:
Mariacarmen Cárdenas told a sad tale. After coming to the UK with her British husband, the marriage broke down and she went through family and workplace battles. She painted a sorrowful picture of life in the UK but was adamant she would not be returning to Mexico. She seemed to be facing her situation defiantly; a position of quiet strength emphasised in the picture above by her gaze and the political memorabilia of indigenous struggle.
Originating from Baja California Sur, Karla Mancilla’s story struck me as the narrative of water: migration and movement. Waves swell with force and becalm with stillness; they could carry Karla back home, or bar her way. She is from a Pacific state back home and is sitting in the picture here next to a British watercourse. She talks in detail about the oceanic fauna of her state, the whale sharks, dolphins and sea lions. Ms Mancilla lists shredded manta ray as her favourite dish.
Williams Santis came to the UK for family. He met an Irish girl in Mexico and had a baby with her, then moved from Mexico to be with them in the UK. He now works in a car park and as an artist. Here, leaning against an open caravan door, is he pondering the racism that he says he suffers in the UK? Or his proud indigenous roots? Maybe he is thinking about the Irish woman and his child. For Mr Santis, love knew no bounds.
Troubling security and political instability are the main concerns for Michelle Dominguez, as she looks back to the land of her birth. I liked her pose here, caught between two rooms – two countries – casually hovering under one sky, one roof. She is leaning on the threshold against a pane of mottled glass, blurring the views back to where she has come from and blurring the future for those left behind.
The quietness, religiosity and burgeoning economic activity of Querétaro state are called to mind by Efrain Carpintero, who is in the UK researching for a PhD. I felt a positivity coming through this portrait, an academic ambition from a softly beautiful state.
Layered in Nature, staring straight ahead, perhaps Natalia Cervantes is combining her thoughts: a wooded mix of the dusty plants from her home state of Sinaloa and the wet verdancy of her adopted country. This image caught my eye for its natural setting and the fact the woman is Sinaloan, from an edgy corner of the country, and here is painting a picture of the people and the food, tinged with bloody streets of drugs violence, set against the mountains, plains and coastline.